I just thought I would share this website/project that I found: vernaculartypography.com. It looks as though this artist has/had an idea similar to that of Jessica Krcmarik who gave us the lecture in class a bit back about her project: Gratiot and Riopelle. Both projects seek to preserve the old typography used in urban environments; Vernacular Typography on a global level, Gratiot and Riopelle on a Detroit level. The HUGE difference between the two is that VT seems more of a collection of images documenting the typography, while G&R is attempting to recreate the fonts used in these old signs. Just thought I would share for the similarities and differences. The Vernacular Typography collection is pretty neat to look at, especially those from foreign countries.
So go figure there is a website for Ellen Lupton’s book, Thinking with Type. I mean sure EVERYTHING has a website these days, but I would have thought it to be one of those book websites. You know the ones that really don’t provide much information on anything; maybe a super short excerpt from the book, maybe even a chapter, perhaps the table of contents. And THEN lots of where and when to buy said book, glowing reviews. I mean I can even envision what these websites look like in my mind. Lots of text, BIG titles, little to no images. Does anyone else know what I am talking about?? Well guess what. Thinking with Type isn’t like that! Okay, there is a rotating banner of glowing reviews at the top BUT the site is informational! While it doesn’t have the whole book online, it has numerous sections- look at all the sections:
– quickly available for reference. I’m thinking they’re really there to encourage one to buy the book, but for someone who already owns the book, the website is a great go-to-on-the run for information, when I do not have my copy with me. So excited to have found this!
PS. Check out the Type Crimes games!
Edit: I just read that the site was built as a companion to the book, so there are numerous lectures, assignments, exercises, and handouts. Which is even more exciting to me, so that I can practice and continue with typography well after this typography class is over.
One of my first blog posts was about finding inspiration all around us. Originally I meant that to be in the most literal way; nature, architecture, fashion, advertisements. These intentional and not so intentional designs surround us, consume our spaces, so much so that we may be obvious to them and yet if we take the time to look and recognize them, we can understand their designs and messages. Sometimes though, we need to seek out inspiration, the inspiration that we may not come across in our daily lives, the ones pertinent to our careers, hobbies, and education. Ultimately that is what I have been trying to accomplish with this category in my blog, but I forgot to look right under my nose.
I’ve recently been browsing the blogs WordPress has recommended for me (not sure how this works- if it gets updated- where can I find more) because well duh! here I am on WordPress writing about inspiration when there are TONS of blogs of inspiration just a click a way. I love to see other artist’s work and the styles they’ve created or excelled at, the new and unique ideas. I like to value and appreciate their skill, wonder how they did that, and day dream about a day that I might be that talented, that maybe someone might want to purchase something I made.
Below are some of the most awe-inspiring artists I’ve found on WordPress, or artists whose work truly inspires and excites me. Please check them out.
Caitlin Clarks – Illustrator (super cute and incredibly detailed illustrations)
blog.cupick.com (Cupick is a visual platform for artists to share and sell work, but their blog is this incredibly fun range of quirky random art articles and great interviews.)
milinkovic.co (weird and interesting abstract paintings and prints)
lizardpudding.com (awesome, quirky art in a variety of mediums)
themiddlestsister.com (adorable little comic constructed entirely out of scrap materials)unique, and visually captivating)
picturette.wordpress.com (prints, photography, and design)
bryannachapeskie.com (illustrations, print, design- all freaking adorable)
sarahgoodreau.com (really fun illustrations)
dianefoug.com (sculpture, drawings, and etchings- the sculptures are just so interesting and visually captivating)
As I was searching through the internet for some inspiration for this blog post, I came across this article from 99designs’ Designers Blog: 25 Mind-blowing Typography Art Projects. Some of the projects listed in this article are so, well mind-blowing. Mind-blowing in the sense that they are interesting, advanced, skilled, fun, awesome to look at, often sculptural, thoughtful, and pretty exquisite. I think that I find these so inspiring because I love the mixture of typography into art and/or the taking of typography and expanding on the idea that it is an art form, can be art alone. These pieces make me eager for time to get back into creating my own art so that I too can experiment and play around with typography as art.
Vacuum-packed type — an experimental typeface by txaber.
Lauren Hom’s hilarious Daily Dishonesty series takes tidbits of often-given, rarely-followed advice we give ourselves and renders them beautifully in striking type.
Wood Type — another impressive experimental typeface by Txaber.
Sabeena Karnik molded the entire alphabet in ornate, cut-paper forms.
Spanish art collective Boa Mistura painted passage ways in a Brazil slum with bright colors and white forms that, seen from the right angle, resolve into letters spelling words like “belleza” (beauty) and “orgulho” (pride).
A sculpture by Damien Roach that reads “Avant Garde” when seen head-on, but merely looks like sundry geometric forms from other angles.
Artist Farhad Moshiri jams knives into the wall. Seen from the right perspective, they resolve into an elegant script.
Read the article for more awesome artwork and links for all the artists displayed here.
ILoveTypography.com is a great resource for those who also love typography, or at the very least those who want to learn more about it. It appears to be a collection of articles on varying topics, and book reviews, and interviews, and history, and tips and resources for creating fonts. As a newbie in the world of typography, one of the areas I always look for on these sites is the basic type education. And ILT’s beginner articles are no disappointment either. You can find the main page of resources here.
Some of my favorite resources in particular are the following:
Identify That Font – A collection of resources out on the web to help find specific fonts.
So You Want to Create a Font – Step by step guide to creating your own fonts. (Something I would love to attempt in the near future, time permitting).
There is also a list of recommended references too for typographic terms.
Some of the more interesting articles I read and appreciated:
All in all, ILT seems like a fun, educational, and entertaining way of learning and reading about all things type. With archives stretching back to 2007, I have lots of reading to do!
Just like László Moholy-Nagy in my previous post, Eric Gill was a jack of all trades in the art world. He was a painter, sculptor, stonecutter, and a type designer. His name might be familiar as it is the namesake of the famous Gill Sans font family.
Gill is also known for the Perpetual and Joanna typefaces.
This here, is a comprehensive list of the fonts created by Gill:
According to a timeline of Gill’s work history on Linotype.com, it would appear that the man let an intensive work career in the arts and especially in type:
1899–1903 – Works in an architect’s office. Takes lessons in lettering with Edward Johnston at the Central School of Arts and Crafts in London.
1905–09 – Produces initials and book covers for Insel publishers in Leipzig.
1906 – Designs initials for Ashedene Press.
1907 – Moves to Ditchling, Sussex. Here he produces stone sculptures, including for the BBC building in London.
1914 – Produces sculptures for the stations of the cross in Westminster Cathedral in London.
1925–31 – Works for the Golden Cockerell Press (initials, illustrations and an exclusive text type).
1927–30 – Develops Gill Sans.
1928 – Works for London Underground’s administrative headquarters. With his son-in-law he founds his own hand-press which prints luxury bibliophile editions.
1927–30 – Develops Golden Cockerell Roman.
1929 – Develops Solus.
1929–30 – Develops Perpetua.
1930 – Illustrations for the last number of “The Fleuron” magazine.
1930–31 – Develops Joanna.
1932 – Develops Aries.
1932 – Develops Floriated Capitals.
1934 – Develops Jubilee.
1937 – Designs a postage stamp which is in use for 15 years.
1936 – Made a Royal Designer for Industry.
1938 – Produces stone tablets for the League of Nations building in Geneva.
“The shapes of letters do not derive their beauty from any sensual or sentimental reminiscences. No one can say that the O’s roundness appeals to us only because it is like that of an apple or of a girl’s breast or of the full moon. Letters are things, not pictures of things.”
Also, and not to overshadow Eric Gill’s achievements, but the man led a very eccentric personal life, that might be interesting to read more about; including his development of three self-sufficient religious communities.
EDIT: Interestingly enough, I just found this article after I published this blog. It looks like Monotype has revamped and remastered Eric Gill’s Gill Sans and Joanna for the 21st-century.
Additional Resources and Information:
László Moholy-Nagy was genuinely a jack of all trades artistically. He was a photographer, sculptor, and probably most famously, a painter. In the context of this course though, he was a pioneer of graphic design. Influenced by such styles like constructivism and expressionism, he expanded on the idea of photo montages with what he called “typo-photo”. These were a blending of photography and typography. Huge components of graphic design today and huge components in the development of graphic design in the early twentieth century.
“What is typophoto? Typography is communication composed in type. Photography is the visual presentation of what can be optically apprehended. Typophoto is the visually most exact rendering of communication.”
Resources and additional information can be found at:
Andrea Tinnes is awesome.
Her work is just absolutely amazing and SO. MUCH. FUN. It’s quirky, bright, interesting. It was so hard to only grab a selection of her work for this post because it is all so so very cool.
Andrea Tinnes is a type and graphic designer located in Berlin. She is also an educator and has been teaching for numerous years. Typecuts is the label Tinnes created to independently produce and create contemporary fonts. The typecut website is a vast collection of Andrea Tinnes work in both typography, graphic design and her approach to education including assignments (unfortunately all in German currently).
The whole website is neat and clean, and the way it is sectioned off is really organized. One of the things that stands out most to me, is that it isn’t just pictures. There are detailed descriptions of the works, what they were for, why they were created, the fonts used, clients, typefaces, and so on. It’s really nice to see a piece of work and get a bigger picture of it.
The typefaces Tinnes creates are unique and exciting. The way they are displayed are very informational too. There is a specimen piece, information regarding the types, single font views, character sets, fonts in use, and a downloadable PDF. How much more information could you want to know?
One of the most intriguing sets she creates are these dingbat-ornamental-esque graphical fonts. All designed at the same width and height and with the same center, so that when overplayed, the ability to create crazy, different icons is available.
In her teaching section she also displays student artwork too, which is absolutely inspiring. I don’t know what they assignments were but the quality of both the work and the display is absolutely amazing. I don’t know what the standards are in Germany but I feel as though they put to shame anything that I have created thus far in my education.
If it was seriously and financially possible to own all of Andrea Tinnes fonts right now, I would love it and jump at the chance. I feel as though I enjoy her work so much because it blends with my own design aesthetics, loves, and inspirations. Playing around with any of these would be incredibly fun. I sincerely hope she puts up her teaching lessons and assignments in English because I would love to see her approach and ideas. Definitely a designer to follow in the future.
Every single time I Googled typographic or design inspiration since I have been writing this blog, HOW Design would pop up somewhere on the list and often. Honestly I eventually ignored any search results that came back to them because I was not impressed with their website. It seemed like a scam to me: lots of side bar ads, not the most aesthetically pleasing design (for a design site), and virtually no comments on any article or collection that I clicked on (where are all the people at?). Eventually they showed up in a search for something relatively obscure (this escapes me at the moment) and I started clicking around and actually was really pleasantly surprised at the content I found. This site is overwhelming with the amount of learning resources, design opportunities, and wealth of inspiration found here. This is just why HOW Design had to constitute two blog entries, because I just couldn’t pick the best category to file it under.
I did a bit of research- really I did poor research and went to Facebook- and found out that HOW was founded in 1985 as a print magazine. Not sure if they are still in print today (would really like to find out), but over the years their brand as expanded into an online source, numerous books, conferences, other events, awards, and numerous other products all designed in aiding the creatives in design out there. In fact their mission is: HOW is all about helping graphic designers be more inspired, more creative and more successful. If that doesn’t sound both inspirational and resourceful, then I don’t know what does.
If you were ever looking for a collection of “wicked cool 90s posters“, then HOW has it. What about “packaging design inspiration from around the world“? They have that too along with inspiration from all over the world in areas such as photography, type, design, packaging, and everything else in between. They have a HOW university with courses ranging from 40 bucks to 100 bucks, workshops, boot camps, conferences, tips on freelancing and pricing your freelance work(!!!), competitions, and job hunting tips. And since this blog is for a typography section, there is a whole section devoted to typography. I’ve read articles on hand-drawn letters, how one typographer reinvented several types, and a font marathon.
All in all I have found quite a few good reads, interesting tips, and numerous points of inspiration. HOW Design will definitely be bookmarked for further study.
I feel as though I have been living under a rock as a “designer”. I put that in quotations because I can’t even believe I considered myself to be one prior to three months ago. I’m not sure if it is the huge amount of work I have been putting into Illustrator and InDesign, both of which were pretty foreign to me. Or is it the amount of research that I have been doing for this blog. Perhaps a combination of both which has really opened my eyes to how far I’ve come in just a few months, how little I knew and how much I still need to learn. Either way it is incredibly exciting to see all the forums, blogs, resources, examples, lectures, articles, tutorials, freebies, and what have you, that are available for graphic designers/artists out there on the internets.
Bēhance is one of those living-under-a-rock-in-my-own-bubble-never-heard-of-but-I’m-so-excited-I-finally-found things. (By the way, after 7 years of working on a Mac, I have finally learned how to make macrons just for this post). Someone recently recommended Bēhance to me after I was whining about how much I hate manually coding my personal portfolio website every time I want to add new content (which hasn’t been done in oh about 8 months because of that fact). Bēhance is an online community, a product (or purchase) relative to the Adobe Corporation, in which creative types from ALL over the work can create, publish, and promote their own portfolios. Work can be divided into finished or WIP. Viewers can like, comment, and follow artists. There are even job listings (although only one for Michigan -insert sad face)!
I put this site in an inspiration blog because, just like the several other communities I have previously posted about, it is beyond amazing to see what else is happening around the globe in design, photography, art direction, illustration and so on. There are galleries to browse and numerous filters to search by (schools – yes there are a few WSU submissions up there- and materials and color, oh my). Seeing all the great work really grounds me in that I am more aware that there is plenty of room for development and skill training and yet it inspires me to want to be a better designer, be the best I can be, and seriously step up my game.
Although I have yet to create my own portfolio through Bēhance, it appears to be a great resource too (aside from also being a great spot for inspiration) for getting one’s name out there among the artistic community, especially on such a large platform associated with Adobe. And any community that allows for input, critique, and praise from colleagues and peers is one in which all artists can really thrive and continually develop. I’m really excited to try it out.
Check it out: Bēhance